Judge feedback

Judge feedback is anonymous.

• From the get-go, I was delighted to hear multiple independent lines in your writing-- it is a perfect example of how great production really begins with great, multi-layered writing. The samples used here are obviously limited, but *it doesn't matter* when the material in those lines is strong-- this is the secret to that older RPG sound, which 100% had to rely on great musical material to elevate the music beyond its technical limitations. If you are whistling the melody to yourself later, the music was successful irrespective of the technical sophistication of the samples or MIDI banks used. Listening to this, I think you definitely understand that. I wanted to start with that because I think the approach of constructing a tapestry of beautiful independent lines here is uniquely impressive, so I don't want the following critique to overshadow that or "scare you away" from continuing it in the future: I did sometimes feel that polyphonic sections were a bit too dense to follow on the first listen-- I think thinning these out a little bit might help with the "aural legibility" overall, especially on the first track. Given that we are working in a limited genre (games), legibility is really important, especially considering our music is often having to accompany a dense soundscape of FX and gameplay. I loved how you used pizz strings and harp to keep the textures varied and interesting throughout. The track "Real" had a tremendously haunting quality that I thought showcased your skills quite nicely. Beautiful work, keep writing!