Yeah, the production value was kind of handicapped. I started a month early in MuseScore, but that only left maybe 8 days for a DAW guy. He skipped Paper 64 Medley, so its production value was just me using MuseScore's panning knobs and exporting it as an MP3. Very few sample choices, minimally granular dynamics, and no effects when I go without a DAW guy.

Pardoned in the Confession Booth was actually a surprise for me; I had no idea Rabbit would add percussion, and it actually made it sound like a song from Evangelion. Maybe Separation Anxiety. I assume the percussion would effect a scene's pacing, but that's what multiple variations are for.

RIP Fly Me to the Moon in some releases of Evangelion, BTW.

I wrote about the decisions I made and all of the problems I found during development; some of the information is making its way back to the page in the form of my replies to comments.

The biggest problem was converting MSCZ to MIDI, because a lot of details like breath marks are lost. The only thing I can think of to solve that is to have session musicians.

In all honesty, I have no idea either, I just worked with whatever Edsknife sent to me XD. But thank you!

It's listed in the description under "the title of the original songs". I don't blame you for not noticing, because the web design is kind of hard to make sense of. I considered posting links to the originals, but that would clutter the interface.

I intentionally picked songs with adaptable names; ones that are long, and not ubiquitous like "Ending". I could tell you what the names are supposed to mean, but I wanna leave it open to as many contexts as you can think of.