I love the whimsical style of this.

I feel like what I would say is the biggest constructive feedback I have is that I hear a lot of little places where you could do slightly more interesting things with how you get there, and the overall result would hit a lot harder without having to worry about adding structural complexity.

I.e. in Zwiebel the Witch, 0:19-0:23, my hear wants to hear that little progression end in a major third (forming a major chord in first inversion, instead of the minor chord in third inversion that you have). I'd have to test this to be sure my ear isn't playing tricks on me, but it was one of those parts where it felt like it gets to the same spot but there could be a more elegant way of getting there.

0:42 on that one has like a note that doesn't belong, and I think this is a good spot to point out something I've been noticing a lot more lately about harmony is that really there's a verticality that is appropriate or not appropriate for a given moment, with a necessary tension and release.

That tension and release is one powerful part of composing.

Overall though this is excellent work; I just wanted to try to give you something to work with to focus on, hence the long explanations.

All right this one is superb BUT its just on the verge of greatnest, like the pedro pascal meme, "Your composition is good, but it could be better." The composition is fantastique, the minimalist arrangement is great too, lovely chord progression. The court of flowers with the spiccato is provavly my favourite but I feel like this one can be pushed even harder with lots of stuff going on with woodwinds, maybe even some brass, it feels like this is an arrangement for a small quartet but sound like it could be way bigger. Zwiebel the Witch is a very cool piece, my only point is when the melody at 0:30 comes up with the celesta (or something similar) the harpsichord notes and the strings behind are clashing a bit so the melody lost all its presence, you'll need to either double it with something else, play with some panning a bit more or some dynamic EQ to let it pass through at this very moment. Great work it sounds very nice too in the mix. Whats your strings library CSS ?

Beautiful take on the theme! I really liked the straightforwardness of how you used the motif at first and then gradually switching it up, making it more subtle for each track. Each time it felt like it had matured somehow, in the same way as a player who's gradually getting to know the game's world. Your ost mirrored that feeling for me and really pulled me in, this would work great in a game!