Heh.
I wasn't initially going for Mozart, but after I decided to go with vocals in that first/last section, it became pretty quickly apparent that it was stylistically very close to Mozart.
I actually composed that beginning/end part on the very last day, and I was struggling with it until I decided instead to focus on the feeling I was trying to convey. All that improvisation I've been doing has been training me to compose from a place of unity - that is, we perceive music as a unity at its core.
"While not exactly what you described I feel some connection to the poem Prometheus by Johann Wolfgang von Goethe as for a mor human tragedy (Sadly I can’t say if there is a good translation in English)."
If you're getting Prometheus vibes from this, I think that's actually quite close to the feeling I'm trying to communicate. The story from a symbolic perspective is quite similar, perhaps especially in the pattern of what Goethe was writing in his Prometheus.
Reading some English translations of that poem, I'd say the themes and patterns are very, very much embedded into the story I wrote for this music to go to. It also has Paradise Lost vibes, which revolves around the very same theme as Goethe's poem.