Track 1 : I really like all the cool harmony tricks you did to make the intensity work, and when the drums enter everything really feels complete. Is this by chance in 24tet?

Track 2 : Bringing in a motif from the first track? Genius! This feels both mystical and a little intense - there's a lot of underlying pressure.

Track 3 : I'm loving the way you develop motifs - melodically and harmonically. By this point, everything feels so off it's uncanny. Is this also 24tet?

Track 4 : Dies Irae????? Every musician's dream haha. This starts like a choral for the end of the world (which makes sense for it being the Dies Irae), but devlops into a depiction of dread and a downward spiral. Love it!

Track 5 : And again with the motifs! Truly genius. The way layers keep coming in and build upon each-other sucks you in and makes sure you really wallow in the atmosphere! And then it breaks down and builds up to show off some crazy harmonies - it's so weird, but makes so much sense considering the rest of the OST! Pretty long track, but worth every second in my opinion. I would love to hear this track in a more "orchestral" setting!

Overall, you managed to create something almost no one does in such a short time - an incredibly cohesive piece of music, the develops into something deeply emotional and meaningful. And just like I said for the fifth track - I would love to hear these pieces orchestrated, or at least played with live instruments (maybe like a midwest-emo setting?).

Amazing job!

Nice Work! You nailed that unsettling/something is off vibe. I really like the drums in both Apotheosis and The Beginning, they were my favorite two tracks    

The out of tune notes work nicely for an occult theming. I also think your use of silence to make the listener even more uncomfy is really good.

I would have liked to hear more diversity in terms of the melody. Your leitmotif is abundant and clear, but it repeats so often to the point that the tracks lose some individuality.

Super cool use of microtone with the pads that is a nice touch I like the "odd" rythmic time signature on second track (The Beginning) its also my favourite, I really like the percs and the overall vibe, very unique album, good job !

I really dig this. I like how you based the identity of this OST around detuned synths — they instantly communicate that’s something’s off (literally). 

I particularly enjoyed Apotheosis – just a trip-hop banger where your approach really shines the most (distorted tails are a nice touch).

Great work!

Yay! Someone else played microtones. You also used them well. Using them is one thing - understanding them is another. I even talk about microtones in my submission literally.

Honestly, this cooks. You did really well, and it sounds like I'm listening to music from an old school game sound track that gets remembered for its musical creativity.

Loved the use of pauses in Repose and how its motif was used again in One Summer Night. Great soundtrack :)

Yes, the microtones are delightfully unsettling in places. I like the dies irae type motif in Apotheosis. I like the head-bobbing beats and  abrupt breaks. I can imagine some otherworldly elements and perhaps the character going through some sort of transformation. 

The way you use microtonality, dissonance, and the time signature to support the narrative is super creative, in addition to sounding cool! I also like how each track has it's own stages and progression on top of the overall ost progression. I think Apotheosis is my favorite.

side note- on the youtube playlist the tracks are in the opposite order than you listed here, not sure if that's intentional but I listened half way through the wrong way before realizing

Quite a unique theme from what I've heard until now, love the microtonality and somes really spicy harmonies ! 

The unique tunings in the harmonies are amazing. I love the pauses in Repose and how it helps the listener really digest each element of the track. I think that you do a good job expanding on the main motif and riffing off it with countermelodies (especially in One Summer Night) but since most of the tracks are very ambient/looping it would be nice to add more key motifs interacting with each-other. The drop in Apotheosis is my favourite part - just as the detuning starts to feel too disorienting everything comes together in this scary but composed way. Nice job!

Such an underrated soundtrack, cant believe no one else has rated this yet.  I love the use of microtonality and alternate time signatures, as well as the reuse of leitmotifs/chord progressions. The whole thing is very consistent and captivating. Good job!

Favorite track: The Beginning