Ok brotherman, It's surely ultra nice. The vibe u went for in this sub is great, however yes, imo imho me personally, all I was waiting for the entire length of the sub - is for guitars to actually get fat. Sure mix is nice overall, but the guitar tone is just not there to fully embrace those ripandtear vibes, maybe is the room u left at bottom-end of the mix for kicks when usually u'd expect palm-muted heavy chugs take that range and amplify every strum even with more power.
Still one of the best submissions this time, verygj.

Wrong Jam my guy, this should be in Alternate Soundtrack Jam , easily won the DooM vibe. Jokes asides, it's insanely good, mix is as crisp as it can get, the arrangement is especially well crafted not a second felt boring, you have a good sense on when to change pace and go somewhere else. All the sound design ear candy probably took days to craft and maintain all together. Even without the bias of getting the Mick Gordon Vibe I still feel your own style a little bit in there.  Awesome job man !

Hey Nova! Wow, this hits so hard! I can't even imagine how you got all of those sounds in there! Goodness! It so busy and brash. Great work. Such a wild ride you have made here. the 3:00 mark was my favorite part. That was banger. Awesome work. You have great guitar skills man. And it really came out clean. Nice work. Also it fits the theme pretty well. Bravo.

Production is crisp with a lot of ear candy as usual, makes me jealous every time 😄

The panning and falling bass stuff 1:37 was really cool, haven't really played the mick gordon doom game's that much but from what I remember of the soundtrack you got the atmosphere down nicely.

I'm not a guitarist, but for me the guitar work sounded great so no need to be too hard on yourself, if you want to hear bad guitar playing I can pick up a guitar and then you can hear what actually bad playing sounds like 😉

Can't really comment on the mixing since that's beyond my pay grade and everything sounded good to me. Do have to say I loved the punchiness of the drums, I always have trouble getting them to sound fat and punchy without over compressing them and losing all the dynamics

Good work!

This goes hard and I can’t even imagine how you managed the sound design. Specially with all those little sounds everywhere. But your screenshot already gave a glimpse into the automation hell you’ve encountered and blasted you way thru.

However, while the sounds and sound design sounded very top notch there, the balance sounded a bit off at times. Specially with some of the percussive elements and the guitar. My biggest recommendation is to listen thru your songs with turned down volume, so you might be able to talk over it with no problems and listen to the loudness of your elements. Most of the time it’s getting harder and harder to judge differences in volume when listening to it loud. This is due to how our attention works with loudness or brightness being perceived algorithmically. So, when already listening to a loud sound another sound needs to be MUCH louder for you to perceive it louder. While with listening to it with less volume the difference doesn’t need to be as loud to perceive. So for mixing I’d recommend giving it some runs in lower loudness. Also, it gives you the opportunity to judge which elements are the most important, since those elements are the one you should still hear while the song is whisper quiet.

In addition, this is just a production recommendation worth trying out, you could try compressing your signals by type. This means compressing the drums separately from your melodic and harmonic elements. Meaning you create two compression busses one for percussions and one for over compressing the rest (mixing the dry/wet to taste). Then in your master you keep the glue compressor as tame as possible with only compressing 2-3db MAX. This is a method Andrew Scheps used to use in his productions.

ok im definitely hearin the mick gordon in here. definitely sounds 2 rip and tear until it is done. i could believe you used a lawnmower on a colander or somethin like mick does

yr way too hard on yrself about the guitar. you have fucked up that guitar so good oh my god. at like 2:56 holy shit that is fuckin SICK as HELL and the rhythm guitar is good the whole fuckin way through. some of the guitar playin almost reminds me of smt 3. its so fuckin good. 

i really like the decrescendo at 1:35 and the sizzly synths (?) right after. and the build at like 3:25 + the mechanical scream. holy shit. holy fucking shit. 

this is an easy 5/5 for me. no notes. keep doin what yr doin. 

Hell yeah! This is unapologetically Doom and I love it. Lots of cool touches throughout, especially where percussion and drums are concerned. They make the track really fun to listen to. And props for the King Gizz mention!

I enjoyed all the various effects and the bitcrushing. I also like the time signature and the whole vibe of the piece. Maybe some of the elements could have been clearer or more defined somehow? But I think overall it sounds really cool and well-made!

Very enjoyable, the liberal use of distortion and bitcrushing was certainly on brand for Doom 2016 and it's impressive that you managed to make something so damn dirty come out so clean.  

There was a simple 3 note motif around 60-70 seconds in that I was looking forward to hearing again, I was certain that 3:05 would be the return but sadly no, not a major let down but I think it would have strengthened the piece a bit. 

I haven't listened to many submissions yet but this is easily my favorite so far, well done!