Locke's Theme:
Great composition! As a pianist who has dabbled in classical for 12 years, I will gladly tell you how to improve your baroque sound. Bach was one of the biggest artists who is well known for his two-part inventions, which is similar to the style that your music is heading in. You have the two-part writing in the left hand and it is incredibly similar chord-wise to an actual Bach song. The main thing I'm concerned about is articulation. Baroque music was all technical with their articulations and ornaments as needed, switching between staccatos, legato, tenutos, turned endings, rests, dropped marcatos, trills, etc. (i could go on an on). This will dramatically improve the believability of your harpsichord writing and keep the recorder from filling up the entirety of the song with its mid-treble frequencies and add some ornaments to the harpsichord to provide an interesting background foundation for the recorder to build upon. Also, I'm glad you included the PDF scores in the ZIP folder, thanks!
Malinda's Theme:
This composition was a tad dicey in some areas, but it was great nevertheless! Learning baroque takes some time and practice, especially when you want to compose it because there's so much behind it than simply the notes on the page. You are on the right path! - just some things need to be polished. For example, try to avoid offbeat rhythms as baroque composers loved their fast runs and straight eighth note rhythms. Also (i'ma get a little nerdy real quick), quick tip: for extra articulation, composers would marcato the eighth notes and legato the sixteenth notes by default, which gives it that classic baroque feel. I love your usage of a B section, similar to how Bach did his: by shifting his piece to the dominant key (in your case, Fmaj to Cmaj, and then resolving back to the original root key).
The First Love:
This piece is one of my favorites so far as it displays your ability to create a compelling small trio piece while still imitating a plethora of classical styles! One thing I could suggest would be to simply remove the repeats from m13-17 as it drags on a quickly boring drone note in the cello with zero interesting details. You can still keep your break zone, but make it slightly shorter by removing the repeat there. I love the callback to Malinda's theme (I'm sure Locke's was in there somewhere, but hers was the only one I noticed), and I also love the Wedding March-esque style as well. I think you captured the feeling quite nicely!
Town of Alban:
I loved that shift from the minor to the major, and back to the minor in the first ending! The one thing I would suggest would be to change the volume of the lead instrument as it feels softer compared to the previous tracks I've heard so far. Other than that, I think you nailed the RPG aesthetic and the baroque composition overall! Just a little tweaks and improvement is guaranteed!
Thanks Jared for this amazing submission!