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I liked this soundtrack a whole lot. I was unfamiliar with the genre before listening to it, but I think I fell in love... The thing I loved the most about it was your flexibility when it comes to the sound palette you chose: Calm tracks and more energetic ones feel like they're coming from the same place despite also being extremely different, I'm not really sure how to explain it... And of course, making each track lead into the next in a satisfying way was pretty impressive, considering the time limitations. The one I liked most was the transition between the last 2 tracks: The way the "Beep" (which was a bit reminiscent of a heart monitor, girl coma theory???) started on the CHARLOTTE before continuing in COMMEMORATION was astounding, honestly, despite the simplicity of it.

The few and far between orchestral parts throughout the song were pretty reminiscent of your submission from last year, in a good way. They gave the soundtrack a lot of heart, and didn't overstay their welcome.

Convalescence had a solo violin part near the end that sounded really good: It's played really fast, almost unrealistically and I loved that a lot.

Contamination has some very impressive sampling. Even if we ignore the main choir part, the microsounds throughout the track and the heavily distorted amen break near the end were highlights for me. Makes it feel light we're dealing with something beyond our comprehension.

Consolation's orchestral part near the end before the assumed climax in Charlotte was done very well. I enjoyed the story left purposefully vague beyond the initial synopsis as it leaves much to the imagination for how the events transcribed. (i really really wanna know tho)

Charlotte was probably my favourite, really dramatic and heavy and a banger for sure. It's honestly in my top 5 for all the songs I've listened to during this jam.  I liked how it sounded similar to Catastrophe with those big, grandiose chords, and how it mellowed out near the end. It kind of had a similar feel to Circumstellar, thinking about it. It appropriately felt like a huge moment in both the world and between the characters, I'm really curious what you had in mind when you made it.

I already pointed out the Beeps in Commemoration, but the piano part was also beautifully played, tugs at the heartstrings.

Unrelated to the soundtrack itself, but the art you made for it is really cool, the eyeball-looking thing in the distance is really ominous and the whole thing's rendered really well, hats off.

I honestly don't have any complaints or grievances about this soundtrack (i don't like looking like I'm just showering a submission in meaningless compliments lol), it captivated me from start to finish and you're obviously confident in your abilities compositionally and technically. Wouldn't be surprised if this won, 5s across the board from me. Awesome fucking job.

thank you so much for such a wonderfully detailed analysis of my ost!!! I had so much fun reading through your interpretation ๐Ÿฅน๐Ÿ™๐Ÿ™ i actually have a pretty decently solid story for this ost but decided to keep it vague as i always want my ost jams to have open interpretations! Though if you're interested i can definitely try to summarize what i had outlined HAHAH

What i had in mind was actually pretty simple: girl wakes up with mild amnesia in a strange, almost dangerous world where her only key to escaping is a fantastical creature who out of presumable kindness of its heart offered her a ride home with one condition being an object she will have to relent at the end of the journey. The journey itself started off smooth sailing with the dragon soaring through the broken sky, which we get to witness the strange wonders of this seemingly abandoned world. We get inevitable tumult and dangers, with a major roadblock being conveyed in "CONTAMINATION" to which such a crisis somehow triggered a few memories in the girl. She would eventually be carried to safety and the two wanderers would face their final obstacle (the eye looming in the background of the art cover!) and here I imagined them to have come out victorious. The dragon lets her off on a platform carrying the aforementioned door to her home. Before she could ask about the object, the dragon would inform her that it has already managed to obtain it and that she should go towards the door before it closes. As she steps into this bright light glowing out of the doorframe, she could've sworn she heard somebody saying her name... (and that would be Charlotte LOL)

As you could probably tell, the beeps throughout the latter 3 tracks were indeed intended to be a heart monitor! Charlotte wakes in a hospital bed, her consciousness quickly alerts the nurses around her. There's a strange sense of tranquility resting in her chest, and the bandages covering her appendages seemed more like an accessory than its intended purpose. Her dad would eventually regretfully tell her that her sister had succumbed to her injuries. They were both on their way back from school with Charlotte's sister driving when a drunk driver had crashed into them mid intersection, straight into the driver's side. Rose unfortunately died on impact, leaving her little sister in a coma. Charlotte understandably became very distraught and they both grieved, though the memories of the adventure seemingly has fizzled from her mind the moment she had awoken. And that's pretty much what i had in mind!!!

I also had in mind a few instruments of note throughout the ost, which would be the violin and the piano! The violin was meant to represent the dragon, while the piano Charlotte. The violin would have these very virtuosic and elegant lines to denote a dragon flying freely and without constraints. The piano is soft in quality, at times loud and intense to represent Charlotte's will to continue living to see the adventure through. It is also the only remaining instrument to the very end, as she ultimately made it out of said godforsaken world. For "CONTAMINATION" specifically, i was envisioning some sort of moment where Charlotte in reality was suffering through a particularly life threatening infection that eventually stabilized. Whether the dragon saving Charlotte contributed to her stabilization or not is up to the listener LOL

Soooo yeah that's what i had in mind pretty much, and you were spot on with girl coma theory LOL ๐Ÿ˜‚๐Ÿ˜‚๐Ÿ˜‚ i'm so sorry if some things aren't as coherent/elegantly put since i admittedly didn't think toooo deep into the story itself, but the general idea itself gave me enough motivation to make the ost anyway! And as always i still really enjoy going through other people's interpretations as well! If you've read until the very end thank you so much!!!!! Admittedly i felt kinda silly typing all this but nevertheless i hope u liked my little story for this ost ๐Ÿฅน๐Ÿ™

This certainly puts thing into perspective, the dragon telling Charlotte that it already had what it wanted from her at the end is genuinely a really fucking cool idea!!!! Great story overall, better than what I had in mind at least, and you explaining your process and ideas that you tried conveying through the music was pretty great too (The dragon being the violin really improved Convalescence a lot for me). Even if, at the end of the day, open interpretation IS usually the better way to go about it.... BUT I DON'T CARE! I WANT LORE!! SO THANKS!!

Dw about the length or it not being "coherent", I typed like 16 pages worth of incoherent ramblings for my submission lol you're good

I've subscribed to your youtube channel, so expect me to be lurking around your future projects...