Much obliged, Aesaire! I wrote most the OST on MuseScore 4, then performed sound editing and optimisation in Logic Pro 11. Most of the dynamics is controlled from the start by MuseScore’s internal DAW, while decoding the crescendos (<), mezzo-fortes (mf), etc. that I wrote on the musical scores where I wanted them to be. And of course, the decoding is blessed by the fantastic quality of Orchestral Tool’s virtual instrument libraries. Without those none of this could have been possible :) thank you for taking the time to listen! <3