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Drop in first track is so whimsical and happyđŸ„č i love it’s vibes(as in vibrations) it has so much dynamic, to make tracks start slow and develop so bombastically after. Also the unsetelling ending of it with what i think are battle crys??

Second track is so tense with just few instruments. I already like the melodic part of this submission so much, on of the best ive heard so far since people here focused on sounddisign a lot

Ohh i will prolly read lore later i just wanna know how what i assume is accordion fits in that track


Chords and voice leadings of the third track are so good, they portray sorta misery so well. I so hope that whatever story it is has a happy ending with tye whimsical vibe from the first track


forth track has a lot of tension as well as the second but is more heroic ig? It feels like you at least have some chances of victory wheres second had that feel of a determined lose 


Also here i just wanna note how good detuning/microtonal shifts sound


fifth track being that sorta broken main theme is really interesting with the tremolo at the back too..

Track 6 and i wanna say how cool and prominent the main theme’s melody is. Also the sounds at the end and start are so good for the atmospher


track 7 and HUUHH??? HUHHH?? Ig it’s not exactly throaght singing BUT DAMN THAT’S SUCH A COOL VOCAL/CHOIR THING YOU DID WOW 


track 8 feels like the main theme finally kinda being completed, reprising itself before whatever the end of the story is


track9 brings so much closure to the submission

I love how the whole album has an idea and both sticks with it but also lets it be developed. This is criminally underrated, you really should have put it on either youtube or imbedded player 

Im so happy i took the time to listen to it, it was awesome

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Thank you so much for listening through till the end đŸ„čđŸ„č. As for the second track, it's divided into three parts, with the first being "elegant" and "clean" to describe his main line of work, which is assassination. Second part with the accordion is supposed to subtly represent his commoner upbringing while the orchestration is supposed to still represent his elegance, because the second part is supposed to be his conversation with the main character. The third part is fully about his commoner upbringing, where his mother used to sing the song "Bayu Bayushki" for him, which transitions to Elisheva, the adopted daughter of Malakor (The character behind Forced Freedom), being her main theme/motif, because Malakor truly cared for Eli and only wanted her to be what he used to be, just a normal kid. He'd always sing her to sleep with the only children song he knows from his mother, which is Bayu Bayushki.