The idea of using a 16mm camera to reveal things that aren't visible to the naked eye is brilliant, especially the Director slowly becoming less human; what inspired you to build the horror mechanics around filming and keeping the creature in frame?
Thanks so much! The theme made me think of the scenes that got cut, so the film camera became the one thing that can see them. I flipped the usual horror rule: instead of looking away, you have to keep her in frame to stop her. And the Director’s voice gets a bit more broken every take, so you slowly realise he isn’t human anymore.