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bicyclethief

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A member registered Mar 28, 2024 · View creator page →

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i like it, very pretty and sweeping, reminds me of the dragon quest ds game that i was terrible at as a kid. my kitten walked up and hit the mute button while i was listening but just ignore her she sucks. good job!

cool music and cool cover art!

well. thats just fukkn lovely that is

this is so pretty and sweeping. would love to hear a version with snes soundfont!!  favorite is track 2 for the jazzy touches and great chord progressions

thank you that means a lot. i don't mean to sound overzealous but the hyperpop stuff you were doing was so good it made me get up and pace around the house muttering "holy fuck" over and over

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starts off decent and then track 2 starts up. damn!! wow!!! my only note is the phrasing could be tightened up a little bit, and i wanted more from the horn at 00:40 than just one note, because it sounded so cool. i kept aching for a little boozy louis armstrong style melody. the strings and piano are so so good.  track 3 just rules, and all of these songs show off such a wide range while never sounding out of place. very impressive and surprising.

i like these but you should expand on them and add more sections!!! also the boy looks pissed about that floating donut. i dont blame him i'd be seething

mean guitars, a real sense of danger and foreboding, everything sounds slick and cool. i do agree some orchestration would elevate it a lot, i think you should add some in.

your friend kicked ass with the cover art i genuinely love it. there needs to be a game that looks just like that.

good slow-building ambience. love the lead synth in track 2 and the subtle turns it takes, love the percussion and the groove just kicked in oh my god. track 3 is hard hitting and mean and it's just a good time.

good job. sick cover art too

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this euthanized me

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cool and evil sounding. track 3 and 4 are my favorite, i love the woozy synths in the last song mixed with the hard driving glitched-out rhythms (the drums holy shit) and the way it just collapses at the end is awesome.

i want tom waits to scream over "the reason this world was forgotten"

i love the pretty ambience of the opening with the menace slowly seeping through. track 2 is just moody and cool as hell. love those distant evil synths in "poor customer service" backing the melancholy groove

throughout the whole ost you have these moody dark chords and textures but it never loses the fun, propulsive energy or the sense of playfulness. this is so good.

really immersive and wavy synth soundscapes!! i played an old pixelly adventure game while i listened and it fit so perfectly. good work man

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i think the phrasing of the melodies could be tightened up, but they go in a cool direction. and the chords are awesome. the piano and synths in the second track are really kind of beautiful in a menacing way and it all has such a restless, crazed, anxious vibe that's so engaging. both songs are constantly morphing, slowly changing shape and exploring new feelings, which makes sense for a bunch of microorganisms using frantic music to make a statement about themselves. love the audience sounds, and how they start clapping along. really interesting stuff.

all the instruments sound really great, i think the woodwind at the beginning of the first song sounds a little bit abrupt, like it could be softer or fade out more. 

the first 2 tracks are okay but it really starts to get good with track 3. the best bit is "in ancient ruins" from 0:30 on. the chord changes and melodies are so good, and it ends perfectly with the vocal chorus. "a legendary song" follows it so well. this is really good stuff. both you guys are working in the same sort of style but you go about it in subtly different ways that are interesting. gabu's tracks are a little more foreboding and forceful. shellotz's stuff is melancholy and wistful, and you have those cool twinkling piano parts

nice job you guys

pretty in a bizarre way, very creative, love the pulsating rhythms and those surreal synth flourishes

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wow i loved this. it's constantly shifting and throwing some weird musical curveball while somehow making it seem like the most natural thing to do. this thing put me in my place and patted me on my head and then crushed it like a grape. all of it is so good, front to back is my favorite but im worried if you played it to an alien it'd get startled around the 1:30 mark and do something horrific


please play this live sometime

transition from track 3 to 4 is how i felt being stung by a wasp earlier today. good job

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thought this was pretty alright when it started. then got to the village track and it really got better and better. so evocative and cool, especially when reading the game description.

favorite track was the forest, chords reminded me a little of this: 

amazing work guys

this is so fun and beautiful and buttery and funky. you have such a good ear for chord progressions and melody. i was shocked there were so few channels going because it sounds so full and alive. bravo bravo bravo

this is cool as hell!! good stuff guys. cautiously optimistic about the film adaptation (love ridley scott but he can be hit or miss) 

wow! moody and funky and beautiful and surprising at every turn. this is fantastic.

i genuinely have no words i'm blown away. bite sized masterpieces. 

oh my god! this is incredible! there's no way this doesnt at least make the top 10

i love in "who were they" how the woodwinds and the vocals sound comforting and inviting while the strings and chords (don't know the instrument sorry) sound like they're trying to ward you off. 

the whole ost is gorgeous, emotionally stirring and exquisitely put together. thank you for momentarily calming my brain zaps.

i love the mix of acoustic instruments and synths, and the melancholy chord progressions! my only real complaint is that it sounds maybe a little too clean and digital for all the acoustic instruments used (i have the same problem when i use piano so i shouldn't even be talking). track 6 (final stage) just rocks, GREAT chord changes and drum sounds. good stuff man

this is a rompin gallopin good time

this is just funky as hell. great basslines, great percussion, amazing, AMAZING synth textures, pretty chords, loved all the vocal samples. the vocal on golden years was a little too dissonant for me, but the voice itself is great (is that you singing?) and the dissonance everywhere else sounded cool. this is made to be played LOUD in headphones.

creepy and sad but in a good way! great sense of mood and texture and i love the repeating chord progression

this is super evocative and cool. good job!